The Magic Strings of Frankie Presto Author: Mitch Albom Sphere
Rs.499/- Pp 489
Orphaned at birth, Frankie spends his early childhood in
revolution-churned Spain. His mother dies immediately after his birth, in a church
attacked by revolutionaries. A nun promises the dying mother to look after the
orphaned newborn. Cruelly abandoned by this
first guardian, the infant Frankie is rescued by Baffa, the middle aged
bachelor owner of a sardine factory. Baffa
and his hairless pet dog give Frankie affection and a stable home. Baffa takes
him for music lessons to El Maestro, a talented but moody and alcoholic blind
musician.
This peaceful life of home, school and music lessons is
short-lived. Nine-year-old Frankie meets, and instantly falls in love with,
Aurora York, a British girl, who is drawn to his guitar playing. Their innocent
first meeting is violently interrupted. They watch horror-struck as Spanish
soldiers execute civilian prisoners and bury them in a mass grave. Aurora urges Frankie to play “something that
says we won’t forget them.” That
defining moment “was the first time Frankie Presto attempted to give his music
to someone else.” This enduring passion
for music defines Frankie’s character and endears him to readers.
On that same fateful day, Frankie learns that Baffa has been
arrested by the soldiers, and that he himself is being hunted down. With
Baffa’s instructions and the help of El Maestro, Frankie is sent to America
hidden in the bottom of a boat, with the hope that he will find shelter in the
home of Baffa’s sister in Detroit. Betrayed and robbed by those in whose care
he was entrusted, all Frankie has left are his guitar, and six strings gifted
by El Maestro. He soon realises that
these precious strings have magical powers. Frankie’s music can change people’s
lives. It doesn’t happen because Frankie
wills it that way. And when a life is altered, one of the magical strings turns
bright blue.
In America at last, little Frankie accompanies musician Django,
and learns the gypsy guitar technique. From the wings of the stage in Cleveland
Music Hall, he experiences the first blasts from an orchestra. “The elegant twirling
of clarinets and saxophones... even the look of the band... handsomely dressed
in dark tuxedos... And the crowd! Nearly two thousand people!” Frankie realises that he wants this applause
for himself. His struggles slowly bear fruit, and Frankie progresses from the
sidelines to centre-stage.
Stardom, name and fame come, yet Frankie remains
unfulfilled. He seeks Aurora, for she alone can give him soul-satisfying
inspiration. An inner restlessness grips
this “most purely musical guitarist”, who rebels against the commerce driven
music business. At the height of fame
and popularity, Frankie vanishes far from the intrusive eyes of the world.
Encouraged by Aurora, he plays freely again: “better, richer, because his music
now was passionate, more thoughtful... the way a great painter chooses not just
a color but the perfect shade.” He
reappears decades later to give one last life-changing performance.
This is a thoroughly enjoyable read with never a dull
moment. The passionate rapport between Frankie and Aurora is convincing. But
the strings of coincidences holding the story together seem far-fetched. True,
an explanation is given at the end, but it fails to satisfy. The device of
using the muse Music to narrate Frankie’s story and linking tributes from
musical celebrities, enriches the story with insights. However, the shifting
timelines can be confusing at times, as the narrators speak of different times
and stages in Frankie’s life. Overall,
this is a first-class entertainer, which could make a great movie someday.
This review was published in Deccan Herald.
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